![]() ![]() Hades also carried himself well in displaying the power of a God, far better than Poseidon did in the previous arc where he was defeated twice by Gold Saints. While most of the villains within the arc were bland loyal henchmen, Pharaoh at least had some goals beyond serving Hades that allowed him to at least be more engaging than most of the Marina from the previous arc. The characters at least make up for this somewhat. ![]() However, the regular lives of the Spectres weren't explored enough for the setting to be more than pretty backgrounds and the theme of hope and finite life weren't explored too deep, just being a reiteration of Shaka's words in the first act of this arc. It did have some interest in the setting with it being a mix of both the Greek Underworld and Hell as described in Dante's Divine Comedy, which lead to some nice creative liberties in locations and the theme of life being finite and thus precious was a decent way of making the idea of holding onto hope less generic than usual. Beyond that, the plot was as typical of Saint Seiya Arcs. The reveal of Shun's secret was an interesting twist that explained how he survived his fatal battle with Aphrodite, but it came without foreshadowing from previous arcs and Ikki's lack of knowledge on it was from as poor a plot device as amnesia. Instead of being a true step up in power, only the Judges, Pharaoh and Rhadamanthys' underlings prove much of a genuine threat. Whilst quickly going through many of the battles and several Celestial Star Spectres quickly being diposed of allows it to stand out and be less repetitive when it comes to combat with it's side villains than the Poseidon Arc was, it also makes them a major disappointment when Terrestrial Star Spectres such as Myu proved a genuine threat to the Gold Saints. ![]() Overall 5 Story 4 Animation 7 Sound 7 Character 6 Enjoyment 5 The middle act of the Hades Arc, Inferno, is a major step down from Sanctuary in almost every way. ![]()
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